A vampire conspiracy séance for your party

More than 150 years ago, powerful men faked the evidence for vampires. Tonight your guests open the file.

For a dime, the carnival would show you a vampire's heart

A hundred years ago you could hand a barker a coin and be shown a genuine vampire hunting kit. Stakes and a mallet, a crucifix, glass vials, a pistol loaded with silver — and at the center of it, always, a heart. Billed as the still‑beating organ of something that refused to die. People swore that if you stared long enough, you could see it move.

Carnival theater, of course. A dime's worth.

But the kits didn't start on the midway. They were built decades earlier, and they were built for a reason nobody was ever supposed to find.

A wooden crucifix, rosary beads, a pocket watch and a stoppered bottle laid out on a tray over red velvet

Operation Sanguinum

After the Crimean War, Europe was full of men it no longer had a use for. Soldiers came home to silence instead of parades. Their skills were obsolete. Their obedience was not.

Generals who wanted influence, ministers with things to bury, and aristocrats with plans of their own worked out what to do about that.

You cannot ask a decent man to murder your political rival. You can, however, convince him that your political rival is not a man.

So they made evidence. Forged journals. Staged rescue reports. Fabricated medical findings signed by real doctors. Whole hunting kits, aged and worn and handed over with a straight face. Every detail built to convince these men they were fighting for God and for mankind.

They weren't. They were instruments, pointed at inconvenient people, by men considerably more monstrous than anything in the journals.

The Hargreaves file

William Hargreaves was one of their best. A former army surgeon, precise and calm, handed a kit and told he was hunting monsters. He believed every word.

Then he fell in love. He married in June of 1865, and by late summer he wanted out. The men running the operation did not let their best instruments walk away. Months later he found his wife murdered, and the scene had been staged to look like a vampire attack.

His diary is where it gets strange. He writes about hearing her moving through the house at night. He writes about driving a stake through her heart, and keeping that heart in this kit, hoping to bring her back once he'd had his revenge.

What comes out of the box

A wooden case with a crucifix set into the lid, worn the way a thing gets worn by being carried a long way. Inside:

  • A hand-bound diary, in the handwriting of William Hargreaves himself
  • Four photograph cards, the sort a Victorian studio sold by the dozen
  • A stake and a mallet. Both have been used
  • Three bottles, labeled by hand: holy water, graveyard dirt, and one your guests will read twice
  • And a heart — dried, split, with the hole still in it. His wife's, if you believe the diary
An open journal with a chain laid across it and two glass vessels of dark red liquid, lit against black

What your guests experience

Your guests read Hargreaves out loud. It starts as a curiosity and stops being one somewhere around the third entry.

Then the objects begin giving things up. Somebody holding one of the photograph cards describes a person they have never seen. Somebody handed the diary knows what is written on a page they haven't turned to.

And one question hangs over the whole file: was William a broken man chasing shadows, or was something darker at work?

Your guests work it the way you'd work a real cover-up. What did his wife know? Who wanted her gone? And why does a man who buried her keep writing that he can hear her at night?

And somewhere in the middle of all that detective work, the table stops cooperating.

A gloved hand holding small labeled vials lifted from a worn leather case

A conspiracy you explore by candlelight

This one is for anyone who can't resist a secret file. Your guests go through a 150-year-old cover-up one piece of evidence at a time, and the spooky part creeps in around the edges. It's more mystery than scare, which makes it a natural fit for history buffs and true-crime fans.

Everyone goes home with their own theory.

The details

Guests
8–25
Run time
20–75 minutes. You choose the length
Large parties
I run several short séances across the evening
Setup
60 minutes · in‑home short version, about 10
Pack-up
30 minutes after the show
The room
Dimmable, with a table big enough to spread a file across
What I need
Floor space, one outlet, the table
Tone
A conspiracy mystery with a séance inside it. Less spooky, more unsettling
Where
Based in Niagara Falls. Buffalo, Rochester and all of Western New York, plus Pennsylvania and Ohio
Ages
16+. There is blood in the premise, none on the table

Right for

  • Guests who love a good conspiracy theory
  • History and true‑crime readers
  • Dinners for a professional group
  • Halloween parties, for hosts who want something smarter than the usual
  • Anybody who has ever fallen for a good hoax and enjoyed it

Wrong for

  • A crowd expecting jump scares or gore. There is neither
  • Guests who want to be told what to think
  • Groups over twenty-five at one time
  • Anyone under sixteen

Is your date open?

Tell me when, roughly how many, and where. You'll get an answer and an exact price the same day.

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